I hope this cast of actors gets opportunities to show their obvious talent in films with more commercial potential as this film’s sexual escapades and taboos will limit not only how many theaters it shows in but how many Jewish and Israeli film festivals might screen it overseas. This wasn’t my first experience with Israeli film as I used to be a screener for the San Diego Jewish Film Festival and the more Israeli films I see the more I want to see. Yet the talent behind and in front of the camera will surely convey that Israeli filmmakers have the chops to deliver entertaining thought producing cinema supported by a pool of actors audiences will want to see more of that may not have the panache of Hollywood but all of the professionalism and typical of many Israelis with much less inhibition.
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Otherwise I found that this flick was well directed, edited and produced and shows the capabilities of Israel’s artistic filmmakers after two films from the region were nominated for documentary Oscars (the Gatekeepers and 5 Broken Cameras) both of which portrayed Israeli politics in a less than favorable light.Įven though I enjoyed this movie artistically and found the script and its delivery entertaining, I was conscious before the movie ended that this film was going to be shown in New York City the following week at Martin Scorcese’s FTS (First Time Screenings) and that as harmful as the two aforementioned documentaries could be to foreigners’ perceptions of Israel and Israelis, this film even goes further to portray Israelis as less than sympathetic reprobates except for the aforementioned telephone operator. Maybe the narratives show a lack of confidence by the director or screenwriter that they’re not otherwise telling their intended story to the audience. The narrative is helped along by documentary style confessions that break the fourth wall and seem sometimes out of place, especially with one last narrative for an ending (which could have been more poignant by ending with the last scene between brother and sister). The great cast of supporting players often steal the scenes they’re in where they each get to shine with a monologue about their role in Israeli life whether, its a nurse, a police officer, a cell-mate or an estranged father or telephone operator (the most sympathetic character in the film).Įvery actor and actress in this well-cast ensemble were awarded close-ups, which allowed each actor to show a great range of facial miming as a response to the other actors in each scene or deliver their own lines with pathos and flair as the two protagonists go on a sexual walkabout after their mother passes away from cancer with the brother being mentored by his jaded married Bible studies teacher and his sister by a girlfriend peer.
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In the course of the quest the brother and sister meet people who provide them – like in parallel quantum universes – a glance into what their future lives may hold for them.Ĭontinue reading “Urban Tale (2012)” → Erotic Movies, Erotic Movies 2000 Urban Tale (2012)What seems to be a series of deliberate provocations were numerous and seemed forced and manipulative at times and at times distracted from masterful acting by the two leads Barak Friedman and Noa Friedman (no relation) who play not so innocent teenage brother and sister. Their quest in search of their father leads them to hospitals, nursing homes and holding cells. Before she died she asked her children to find their birth father who left them when they were still babies. The children’s mother died a few weeks earlier.
Genre: Drama Countries: Israel Languages: HebrewĪctors: Ohad Knoller Eli Gorenstein Avi Grainik Ami WeinbergĪlternate Titles: מעשייה אורבנית maasiya urbanit urban.taleĪ boy and a girl wake up in bed one morning, naked.
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